The sensor and the body are the same, but the FS5 II includes the ability to output 4K RAW via the SDI output and to internally capture continuous HD video at up to 120 frames per second. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. When loaded with two cards, the FS5 can simultaneously record proxy files along with your desired resolution with the same name and timecode. It drastically changes the center of gravity, so handheld shooting is much different with the monitor. Lightweight but robust, it delivers stunning 4K HDR content. Even with all of that, the price is lower than that of the FS5 was when that camera was first released. The camera is about the size of a grapefruit, and the body only weighs 1.8 pounds. The FS5 is built around a high-sensitivity 4K Super35 Exmor CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion. I asked Sony if the dynamic range is reduced when you are using this High Sensitivity mode and I was told that they feel that is is fairly comparable to the normal base ISO of 800. Unlike the FX9 which uses two XQD media slots that support simultaneous or relay recording, the FX6 utilizes new CFexpress type A cards. When I brought some test footage into Premiere -- XAVC 1080p -- I noticed there are four audio channels. Although in saying that, with a lot of people using speedboosters on S35 Sony E-mount cameras there is clearly a demand for the full-frame esthetic. Unless you step up to a FS7 (but even that needs the XDCA back for TC) or a F5/F55. Once youve zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by an additional 200% in Full HD. There are seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style. The FS5 II has visible noise from the get-go, but its not distracting if youre not looking for it. There are two options for slow motion: "S&Q Motion" and "Super Slow Motion." Of these, the Super Slow Motion has a lot more options. FS RAW in 4K or 2K with an external recorder for future-proof content. The FS5 has 3x firmware paid upgrades. That stronger E-mount is also handy for using heavier-long cine-zooms without having to add additional lens support. The EVA1 is heavier than both the C200 and FS5 II at 4.5 pounds naked. At $ USD the FX6is competitively priced when you look at its main competition. Depending on the lens you use, the full setup can easily stay under 3 pounds. The FX6 can internally record in resolutions of up to 4K DCI. SDI Output: 1 x BNC HD/3G-SDI All fine lines are still and look good. Sensitivity ISO Rating: 3200 (S-Log3 Gamma) Lets compare the two (at least on paper). All of these competing options have their own strengths and weaknesses. The two big changes to the camera outside of unlocking available features are the new color science borrowed from Sonys flagship Venice cinema camera and a mechanical ND filter wheel along with the very useful electronic ND. Even when changing resolutions and formats, the restart of the camera was quick. The C-100 Mark II is a bit cheaper but doesnt offer 4K. A camera with fewer high-end options and a lower price tag might fit the bill a lot better. The worst argument I always hear in regards to resolution is that I am future proofing my material. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. For this review we shot on two Sony U3 Class 10 SDXC I SD cards. Just because a new camera comes along, it doesnt make the camera you already have obsolete. You can also view images from the camera in real-time on a smartphone running Content Browser Mobile. The LCD for the PXW-FS5 is the same as the FS7, however unlike with the PXW-FS7 where it felt lightweight and cheap considering the cost of the camera, the LCD fit the smaller form factor better and felt more in line with the value of the camera. Now, the big upgrade to the capability of this camera is what it can do when video is captured externally. Sonys mount system offers unsurpassed compatibility with both Sony and third-party lenses. The FS5 offers High Frame Rate (HFR) cache recording at Full HD 10-bit 4:2:2 image quality and a frame rate of up to 240fps. The PXW-FS5 doesnt have a short battery life like many mirrorless cameras and doesnt have any overheating issues, so continuous recording can last till the battery dies or your media fills up. I just had the thought that maybe there was a way to record 4 channels via the xlr inputs and possible the hotshoe with sony's fancy receiver, or some combo that I hadn't figured out yet. The sensor delivers 14 stops of dynamic range and can shoot up to 960 fps in burst mode. Above you can see how much higher up it is positioned when compared to the FX9. We first noticed the cameras ergonomics, influenced by both its weight and the grip integration. While the FX6 control and button placement look very similar to its big brother the FX9, if you look closely there are quite a few differences. Its easy to love this camera. The Super 35 sensor offers a 1.5 times crop factor, giving the 24-70mm lensan effective focal length of 35-105mm. This thread is archived It will pick up room noise. Set the Output Volume at Mic or Line, just make sure it is the same on the Tentacle and the Audio input. Just like the FS5, FS5 Mark II, FS7 M2, and FX9, the FX6 utilizes an electronic variable ND system that provides a clear filter and 3 user-definable presets. Overall, the picture quality from the lens was nice, but its functionality was not so impressive. Sony PXW-FS5 $6,899.00 at Amazon $4,248.00 at B&H Video Tech Specs: Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS Effective Picture Size: (H x V) 3840 x 2160 LCD Monitor: 3.5 / 8.8 cm Viewfinder: 0.39 / 0.99 cm OLED ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 Sensitivity ISO Rating: 3200 (S-Log3 Gamma) Sony states that the camera will not overheat in any recording situation. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. In addition to the seven standard picture profiles, the FS5 II has two flavors of log: S-log2 and S-log3. Should you purchase the Canon EOS R8 for video? Creative tips and inspirational stories for filmmakers. The Sony FS5 II is a small and lightweight camera that is ready for any shooting situation you throw at it. encoding is also available. In that case, regular ProRes or DNxHR encoding is also available. With this system, you can also do things like adjusting the depth of field in real-time as the variable ND will compensate automatically when you make changes to the f-stop. It is unclear whether you need the CBK-WA100/101 Wireless Adapter to be able to do this. Once you have several camera models below a certain price point in your line-up you put yourself between a rock and a hard place. This allows you to control your camera and also control focus, iris, and zoom with a lens such as the new Sony FE C 16-35mm T/3.1 G E-Mount Lens. Unlike the FX9 which has a base ISO of 800 as well as a High Base ISO of 4000, the FX6 has a native ISO of 800 (S-Log3) and what Sony are referring to as a High Sensitivity mode of 12,800 ISO. It also rotates and moves very easily. USB: 1 x Multi/Micro Lastly, you can capture proxies and full res video at the same time by recording to both of the card slots simultaneously. The air intake and exhaust are both on the non-operators side of the camera. Why? Unlike the FX9 that has controls for four channels of audio, the FX6 only has physical controls for two channels of audio. We shot in the picture profile 1 one of the six standard picture profiles on the camera. Chris Monlux is a native of Northern California and is Videomakers Multimedia Editor. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS Sony didnt have a tendency to cannibalize their line up, but I think now because of competition from competitors, they kind of have to. Each stop offers a bit more noise until you get to ISO 3,200, where it starts to be noticeable. If you switch to the 1.5x S35 shooting mode you are limited to recording in HD. All of these cameras offer different features and functionality. Because its light enough, neither angle is a chore to shoot. The size of the camera body is surprising its smaller than you might think but this version includes in the base package both of the upgrade packs available for the original FS5. Attaching the Microphone *S&Q 1-60fps and 100/120/200/240fps are available in these modes. | Review, The Canon EOS R50 is the perfect camera for beginners | Review, Blackmagic Pocket Cinema Camera 6K G2 review: A beautiful image in a lackluster package. Reply to this Discussion! The FX6 can utilize a range of compatible accessories. According to Sony, not many users were actively utilizing the rear EVF so they decided to get rid of it. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. Uploading clips to FTP, FTPS, or other servers, Uploading clips partially by marking in and out points, Uploading clips partially and an EDL based on storyboards, Assigning Essence Mark lists to buttons, Synchronizing the timecode of multiple camcorders, Making setting of network functions for connected devices. (This video is presented online at HD resolution, to view in 4K, please arrange your personal product demonstration today), Sony's PXW-FS5 captures surfers and skateboarders using super slow motion in HD direct mode. Sony has officially unveiled the FX6, the third camera in its new Cinema Line. Add $1,300 to account for the cost of a Shogun Inferno to the FS5 IIs base cost of, Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters and a 1/4 to 1/128 Stop Electronic ND Filter. Sony is very much pushing the FX6 as being a lightweight, compact mobile production camera that can be used by solo operators. They are there just to tease. Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. The built-in microphone. The only monitoring for the camera comes in the form of the 3.5 1280720 LCD touchscreen. All you need are SD cards. By doubling the ISO, we are able to see the performance at every stop. When I asked Sony directly if the FX6 was using the same sensor as the a7S III, the response I got was- The sensors in both cameras utilize the same technology.. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) Lets have a look at how the Sony FX6 compares to these other options. An unfortunate aspect of the PXW-FS5 is that the minimum ISO for non S-Log picture profiles is still high at 1,000. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. The processor is claimed to be able to read the sensor 3x faster than the a7S II and 2x faster than most traditional mirrorless hybrid sensors. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. The FX6 falls clearly into that under $10K category. It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. By utilizing this smaller megapixel sensor in the FX6, Sony can give you UHD at up to 120p with full pixel readout and no pixel binning. the camera in the box is actually good for more than five minutes of use. Click here to contact a sales representative and request a media kit. When not shooting log, the base ISO is 800. Read our article How to Use Log Video to Gain More Control Over Your Image to learn more about shooting with a log curve. A magnesium chassis ensures high rigidity with -inch screw holes on the handle, top and bottom of the body to support mounting on a drone, gimbal, or in an underwater housing. Effective Picture Size: (H x V) 3840 x 2160 Setup Tentacle with Sony FS7 and audio timecode: Make sure your Tentacle device is running in "Green Mode". Page 28: Attaching The Microphone 2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Input, Other I/O: 1 x RJ45 LAN, 1 x 2.5 mm Control, 4.38 x 5.07 x 6.79 / 111.3 x 128.7 x 172.4 mm (With Protrusions), How to Use Log Video to Gain More Control Over Your Image. The FX6 is going to start shipping around the same time as the Canon C70 which it is undoubtedly going to be compared to. It is interesting to see that Sony has decided to give the FX6 timecode In/Out capability through a dedicated BNC connector. I am assuming that just like with the a7S III, that you will be able to record to both card slots simultaneously if you want to. I just started working with an FS-5 and am learning my way around the camera. The slow menu of the FS7 was a big problem for a camera at its price point. With little investment needed for accessories, flash memory and batteries, its good to go straight from the store. It also lets you pick out footage at exactly the point that you want. It operates fast enough that you dont think about it. A big problem with the FS7 was the menu operation. The monitor on the C200 is nicer than the FS5 II, and overall, the C200 is a bit more robust of a camera. You could also compare it to older cameras like the Panasonic EVA1 as well. For our review, we shotmostly on the Sony G-Master 24-70mm f2.8 lens. Chris Monlux Videomaker's Multimedia Editor, Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. Page 27: Audio Inputs Audio Inputs The camera has a built-in stereo microphone on the handle. ), Display Settings (MARKER/DISPLAY OUTPUT, Etc. Despite a large range of full-frame mirrorless hybrids being available, the FX6 could arguably be considered the first truly affordable full-frame digital cinema camera from one of the large Japanese manufacturers. While they have tried to differentiate the FX6 and the FX9 by using different sensors, the lines have been blurred and this may well-upset owners of the FX9. Everything above ISO 4,000 needs some noise reduction and everything above ISO 8,000 is not salvageable. *S&Q from 1-60fps is available in these modes, however, it isnt available if you are outputting RAW over SDI. Sure it is always nice to have the latest and greatest, but often it makes no financial sense to buy a new camera if your existing camera is already working well for you. Eye-popping specifications and marketing hype sell cameras, and the FX6 certainly has a lot of that going for it on paper, despite the fact that it is only a 4K camera. Page 19: Attaching The Microphone If you have a great idea youd like to share with our readers, send it to editor@videomaker.com. You need to be aware that the FX6 does not come with an external microphone. You could make arguments that any of these cameras are a better choice. Here is the rub with having to use the Shogun Inferno or Odessey 7Q to capture better video: Its bigger than whats needed. Yes, you could very well argue that capturing at a higher resolution allows for more flexibility with reframing in post or downsampling to get a better 4K image, and those are good arguments, however, if you are capturing in 4K and still delivering in HD (which a lot of people are) you dont need resolutions above 4K. But unlike with the FX9, you dont need to use the large, expensive XDCA-FX9 extension kit to do this. Key Features 1920 x 1080 Touchscreen Display HDMI 2.0 Input/Output, AtomOS 10 Record up to 8K30 ProRes RAW 1000 cd/m Brightness Show More If you're shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2" 8K HDMI H.265 Raw Recording Monitor from Atomos. 1 x SDXC/Memory Stick PRO Duo Hybrid Card Slot, 1920 x 1080p at 23.98/25/29.97 fps (50 Mb/s), 1920 x 1080p at 23.98/25/29.97 fps (24 Mb/s), 1920 x 1080p at 23.98/25/29.97 fps (17 Mb/s), 1 x BNC (3G-SDI) Output, 1 x HDMI Output, 1 x Multi/Micro USB A/V Output. You can see an early look from B&H above. The FS5 has two XLR connectors so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal. Want to change the white balance? Or do I need to print a timecode track to the audio channel? The grip itself is easy to attach and can be installed with one hand holding the camera and the other the grip. The majority of the content you consume is either HD or UHD, and that is unlikely to change anytime soon. Once shot, all we needed to grade the S-log3 footage was a simple LUT. The FX6 has a massive cooling system that takes up a lot of space within the camera. In a lot of ways, the FX6 is a blend of both the FX9 and the a7S III. Is the FX6 the camera you have been waiting for? With patent issues prohibiting internal compressed RAW recording, the FX6 will only be capable of recording RAW externally. Just a few knobs to loosen and the location of the LCD can be personalized. Sony touts 14 stops of dynamic range with the FS5 II. If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. Camera Audio Settings: On Channel 1, I have selected Input 1 on and on Channel 2 I have selected Input 1 as well. Set the frame rate of your camera. The Sony FS5 is a lightweight camera with loads of options. It felt nice in-hand, allowing simple shooting at both low and high angles. The work around hack is to send timecode signal at mic level instead, to an audio track: The FX6 is an intriguing camera and its release signals that Sony has had to reconsider its strategy when it comes to producing cameras that start to overlap with some of their higher end options. Mohamed El Sehrawy's first impressions of Sony's FS5 camcorder. They dont work in the S35 mode. Weight Body Only: 29.2 oz / 827.8 g It was just far more usable on the FS5. Essentially it is an a7S III in a form factor that is much better suited for video applications. Items that can be changed on theMain Statuswindow include: Unfortunately, it doesnt appear that you can change the white balance, ISO/Gain, ND, shutter, or Iris using the touch screen while you are on theMain Statusmenu. The FX6 certainly does tread on FX9s shoes. Ill say it again just in case you missed it. Plus, Sony even upgraded the already great built-in neutral density filter. The adjustable LCD screen was easily rotated into a storable position. Think of how a slide trombone works: It can slide through notes, offering everything in between. Despite offering similar sensors and a lot of similarities when it comes to frame rates and recording options, the FX6 is a video camera and not a hybrid mirrorless. ), Slow & Quick Motion and Super Slow Motion Limitations, Camcorder Sony PXW-FS5M2 Operating Manual, Camcorder Sony PXW-FS7 Operating Instructions Manual, Camcorder Sony PXW-FS7M2 Operating Instructions Manual, Camcorder Sony PXW-X400 Instructions Before Use, Page 19: Step 2: Using A Battery Pack Or Ac Adaptor, Page 24: Step 4: Attaching The Handle, Accessory Shoe, Microphone, Lcd Screen, And Grip, Page 31: Step 5: Turning On The Camcorder And Setting The Date And Time, Page 32: Step 6: Adjusting The Lcd Screen And Viewfinder, Page 34: Step 7: Adjusting The Angle Of The Grip, Page 39: Continuous Recording On The Memory Cards (Relay Rec), Page 40: Recording Movies Using Both Memory Card A And B (Simul Rec), Page 43: Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Page 45: Focusing On A Detected Face (Face Detection), Page 46: Changing The Recording Setting/Image Size, Page 49: Adjusting The Iso Sensitivity/Gain, Page 51: To Adjust The Amount Of Light (Nd Filter), Page 56: Slow & Quick Motion/Super Slow Motion Recording, Page 62: Recording Sound From An External Audio Device, Page 63: Adjusting The Audio Recording Level, Page 66: Downloading "Content Browser Mobile, Page 67: Using A Smartphone As A Camcorder Remote Control, Page 68: Connecting Without Using The Nfc Function (Android), Page 69: Connecting Without Using The Nfc Function (Iphone/Ipad), Page 89: Using The Gamma Display Assist Function, Page 91: Preventing Accidental Operation (Hold Switch), Page 92: Inverting The Lcd Screen Display, Page 96: Changing/Checking The Settings In Your Camcorder, Page 97: Checking The Camcorder Settings (Status Check), Page 99: Selecting Jacks For External Output, Page 111: Preventing Data On A Memory Card From Being Recovered, Page 112: Repairing The Image Database File, Page 149: Warning Indicators And Messages, Page 153: Function Limitations When Recording, Page 154: Slow & Quick Motion And Super Slow Motion Limitations, Page 155: Proxy Recording Supported Formats, Page 158: File/Folder Structure On The Memory Card, Page 161: About Handling Of Your Camcorder.
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